Art Reproduction Printing
High Quality Art
Reproduction
Typically the reproduction of all completed art work is
now done by first creating a color separation by
photographic means. In this process the original artwork is
photographed through filters and split into 4 negatives
representing the four printing colors of cyan, magenta,
yellow and black. These colors will be recombined during
the printing process.
A similar process is now carried out by scanners,
largely replacing the production of photographic negatives.
From the digitized color separation data, printing plates
are produced. Once the plates are placed on a four color
printing press, they will be each color will be printed in
turn, one on top of the other so that the combines and
finished product will look as good as the original.
If you have some fine art or other pictures or paintings
you would like reproduced, call us now toll free for a chat without
obligation.
This can be done equally well on a single color printing
press, but it would require four passes of each piece of
paper through the press to achieve the final result. Of
course between each pass the printing plates would have to
be changed, the presses cleaned, the new plates mounted and
the paper passed once more through the printing process for
the overlaying of the next color. With a 2-color printing
press the work would be only half as much.
The very best printing presses for this type of printing
are Heidelberg.
All modern color photocopiers use a similar technique,
and the quality of the output is truly outstanding. They
scan and separate, and then they combine and print using
the same four color process. In many cases the quality is
good enough for fine art reproduction vintage printing. The
process that would be chosen is driven by price.
For a large print run, say over 5,000 copies, it would
be worth considering using lithographic printing rather
than photocopying. Whatever the choice it is important to
identify the break point where the cost per sheet is
cheaper using photocopying than it is printing, or vice
versa.
The upshot is that when considering art quality
reproduction printing, the key issue is the number of
printed copies required. That will inform the most cost
effective way to produce them. These days art reproduction
printing is available to every person at amazingly
reasonable prices.
Another consideration is the size of the reproduced
copy. Photocopiers generally do not produce anything above
A0, so it may well be necessary to uses a printing press
unless one is prepared to reduce the size of the original
for the copies. This may well be acceptable, and when
reducing, it will come without any fall off in quality. Of
course the converse is not true - when enlarging, there can
be a marked reduction in the quality of the
reproduction.
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